Theory and Practice of Kinetic Poetry in Composición de lugar (1976) by Amanda Berenguer

Abstract

In this paper we analyze Composición de lugar (1976), the book that represents the most experimental phase of Amanda Berenguer’s poetry. We examine the text in the light of the notion of “kinetic poetry” as developed by the author and so, in this coincidence of theory and praxis we trace its links with the aesthetic searches of other avant-garde authors and groups.